Ever since the famous study about moths and railway soot in the mid-nineteenth century England, it has been apparent that evolution proceeds not at a steady pace, but in bounds. Things don’t just go along at a predictable pace, they leap forward and then step backwards.
It’s the same way with perfume. Whenever something new and wonderful comes along, it does so when you were least expecting magic.
L’Accord 119 from Caron is one such event. When the scent was released a couple of years ago it was reviewed and briefly talked about as interesting, the more so since it was a fruity floral, but then the subject of 119 was dropped. Evidently among the perfume smelling and buying classes, it was not a hit. Continue reading
This is my way of expressing a piece of advice I came across in an old perfume book. The Book of Perfume (Barille and Laroze, 1995) suggests ways in which to keep some aesthetic order in your perfume collection.
The one that intrigued me was to find trios of perfumes and colognes that worked together in a pleasing way, complimenting one another, not hissing and dissing each other the way the various casts of housewives do on reality TV shows. A little harmony, the authors seemed to feel, would go a long way to improving life in the perfume cabinet.
Alrighty, I was up for an experiment and what exactly did they suggest? Continue reading
“Aunt Alicia slid the great square emerald onto her slender finger and was silent for a moment. “Do you see…that nearly blue fire which burns at the heart of the green light…only the most beautiful emeralds contain that miracle of illusive blue.”
I used to prefer green perfumes in daylight. It seemed like the logical time for them, and for decades the perfume industry had pushed the notion of the green fragrance as a daytime scent, something to wear casually or to the office. Continue reading