Distinctive ladylike image for a ladylike fragrance
Caron has been a constant in my blogging world and my closet for so many years now that I can’t remember when I first wore a Caron. The house is no longer a fashionable one and although some perfume critics used once upon a time to revere the company, Caron has garnered bad reviews, and released ho hum fragrances in the past decade which in turn garnered more bad reviews.
This is a little unfair. Even Guerlain is not what it was these days, with its plethora of releases, and its onetime art director starting a perfume company of her own.* That is not even to to mention the last living Guerlain perfumer initiating his own line*. Continue reading
Besides, of course, that famous pencil skirt she flipped up ever so slightly in order to hitch hike more efficiently in It Happened One Night. I’ve always read that in perfume it was Vol de Nuit or some such impeccably elegant oriental, but it seems that later in life Claudette liked lilies of the valley.
She’s one of those actresses who really did understand all about clothes, too. I can’t help but respect her for her hands on attitude towards fashion. Claudette knew a thing or two about construction, and she did not hesitate to take an entire suit apart and lay it out, in order to correct something in the fit. She was knowledgeable enough to do this, and improve the look in the process. Imagine someone saying this to Selena Gomez now? It would be, like, majorly not happening! is my guess. Continue reading
Then there is the perfume in which the whole spicy carnation floweriness I have been writing about sinks in a morass of heavier, hotter materials like a bouquet in a lava flow. The one time floral composition becomes an oriental and a heated one at that. This is what happens in Caron’s Poivre from 1954. The perfume belongs to that group of Caron compositions done after the death of the house’s founder Ernest Daltroff in 1940. Daltroff’s companion and business partner Felicie Vanpouille was still in charge at Caron and she employed the perfumer Michel Morsetti as in- house talent( he had been Daltroff’s assistant.)